At CAMERA REPAIR, SENSOR CLEANING & CLASSES, we specialize in meticulous camera repair and sensor cleaning to keep your gear performing at its best. Our services include seal replacement for vintage cameras, complemented by comprehensive CLA services by Clean Camera. Conveniently located in Freeport, Florida, we offer mail-in and local drop-off options to suit your needs. Master your gear with expert guidance and maintenance—keeping you in focus, always!

While we're working on your camera, we can also take care of any available firmware updates for you. Get your camera back in top shape with the latest features & fixes from the manufacturer. Allow 5 business days to complete your cleaning & update service. Service includes camera body, sensor + firmware updates. Please bring a lens or body cap and include a charged battery when your drop off your camera. Cleaning does not include any dust in the viewfinder, which is complicated to take apart and is only a cosmetic problem that does not affect picture quality.

Your Sensor Cleaning service at Clean Camera provides your DSLR or Mirrorless camera the spa day it deserves! We meticulously pamper both the body and sensor, ensuring every nook and cranny is free from dust and debris. Our expert technicians use specialized tools and techniques to remove contaminants that can affect your image quality, so you can capture stunning photos with confidence.

When Should You Use a 12–24mm Lens? A Photographer’s Guide to Ultra-Wide Creativity One of the most common questions new photographers ask is, “When should I use my 12–24mm lens?” If you’ve recently added an ultra-wide lens to your camera bag, you may have discovered that it’s both exciting and a little intimidating. Unlike a standard zoom or portrait lens, a 12–24mm lens dramatically changes perspective, making nearby objects appear much larger while pushing distant objects farther away. When used intentionally, it can create breathtaking images that immerse viewers in the scene. Let’s explore the best situations for using an ultra-wide lens and how to get the most from it. 1. Landscape Photography Ultra-wide lenses truly shine in landscape photography. Whether you’re photographing mountain ranges, beaches, forests, waterfalls, or rolling fields, a 12–24mm lens allows you to capture both the foreground and the expansive scenery beyond. The secret to creating impactful landscape images is to include an interesting foreground element. A weathered log, colorful wildflowers, driftwood, rocks, or footprints in the sand can create depth and naturally guide the viewer’s eye through the image. Try this: Get low to the ground and position your foreground subject just a few inches from the lens. The dramatic perspective can completely transform an ordinary scene. 2. Milky Way and Night Photography Ultra-wide lenses are favorites among astrophotographers because they allow you to include a large portion of the night sky while still showcasing interesting foreground subjects. A wider field of view also allows for slightly longer shutter speeds before stars begin to show noticeable trails, making it easier to capture sharp stars. Whether you’re photographing the Milky Way above a lighthouse or a quiet campsite under the stars, this focal length helps tell the complete story. 3. Real Estate Photography When photographing interiors, space is often limited. A 12–24mm lens helps showcase an entire room without requiring you to stand outside the doorway. Living rooms, kitchens, hotel suites, vacation rentals, and Airbnb properties all benefit from an ultra-wide perspective. Pro Tip: Keep your camera level to avoid walls and door frames appearing to lean inward or outward. 4. Architecture Historic churches, skyscrapers, bridges, museums, and downtown city streets all become more dramatic when photographed with an ultra-wide lens. Look for symmetry, repeating patterns, and strong leading lines to create visually engaging compositions. 5. Environmental Portraits Unlike traditional portraits that isolate the subject, environmental portraits tell a story by including the surroundings. Imagine photographing: A farmer standing in a barn. A chef working in a commercial kitchen. An artist surrounded by paintings. A fisherman on a dock at sunrise. A senior in a sunflower field. The environment becomes just as important as the person. 6. Large Family Groups If you’ve ever struggled to fit a large family or wedding party into your frame, an ultra-wide lens can save the day. However, there is one important rule: Keep people away from the edges of your frame. Wide-angle lenses naturally stretch objects near the edges, which can make arms, legs, and faces appear larger than they really are. Instead, position your group toward the center and leave a little breathing room around the outside. 7. Wedding Photography Wedding photographers often use a 12–24mm lens to capture the entire atmosphere of the day. Perfect opportunities include: Ceremony overviews Beautiful church interiors Reception room details Packed dance floors Sparkler exits Large bridal parties These images help tell the complete story rather than focusing on just one person. 8. Travel Photography One of the greatest strengths of an ultra-wide lens is its ability to make viewers feel like they’re standing right beside you. Whether you’re exploring a bustling city, hiking a national park, camping beside a lake, or documenting life on the road, a 12–24mm lens captures both your subject and the world around it. 9. Creative Perspectives If you want to create images that stand out, change your perspective. Ultra-wide lenses exaggerate distance and perspective, making ordinary scenes feel extraordinary. Experiment with photographing: Looking up through tree branches From ground level in a flower field Under a pier Beside crashing waves Through tall grass Close to interesting textures Small changes in camera position often produce dramatic results. 10. Events and Festivals Whether you’re photographing concerts, community events, conferences, sporting events, or festivals, an ultra-wide lens allows you to capture both the action and the atmosphere. Instead of simply photographing a performer or speaker, include the crowd, the venue, and the environment to create images that tell the full story. When Should You Avoid a 12–24mm Lens? While ultra-wide lenses are incredibly versatile, they aren’t the best choice for every situation. Consider another lens when photographing: Traditional headshots Beauty portraits Wildlife Birds Sports from a distance Subjects where you cannot physically move closer Because wide-angle lenses exaggerate perspective, photographing faces too closely can make noses appear larger and facial features look distorted. Understanding the Different Focal Lengths Although it’s one lens, each focal length offers a slightly different look. 12mm Expansive landscapes Milky Way photography Tiny interiors Bold creative perspectives 14–16mm Architecture Real estate Environmental portraits Travel scenes 18–20mm Group portraits Weddings Street photography Documentary storytelling 24mm Couples Families Lifestyle portraits Everyday travel photography As you zoom from 12mm to 24mm, you’ll notice less distortion while still maintaining a wide perspective. A Fun Photography Exercise One of the best ways to understand focal length is through experience. Photograph the exact same subject using: 12mm 16mm 20mm 24mm 35mm 50mm 85mm Compare each image and pay attention to: Perspective Subject size Background appearance Distortion Storytelling impact You’ll quickly discover that changing your focal length doesn’t just change what fits in the frame—it changes how your viewer experiences the image. Final Thoughts A 12–24mm lens is much more than a “wide lens.” It’s a storytelling tool that invites viewers into the scene and encourages them to explore every corner of your photograph. Whether you’re photographing breathtaking landscapes, star-filled skies, bustling weddings, cozy interiors, or unforgettable travel adventures, learning when and how to use an ultra-wide lens will dramatically expand your creative possibilities. The next time you head out with your camera, challenge yourself to think beyond simply fitting more into the frame. Instead, ask yourself: How can I use this perspective to tell a stronger story? That’s when the magic of an ultra-wide lens truly begins.

Bring Your Camera. Leave With a Cleaner Camera — and the Confidence to Actually Use It at our hands-on photography workshops in Michigan. New Hands-On Camera & Photography Classes from Clean Camera Have you ever looked at your camera and thought: “I know this camera can do so much more than I know how to do with it.” Maybe you bought a beautiful camera because you wanted better photographs of your kids or grandkids. Maybe you're getting more serious about photography and you're ready to finally get out of Auto mode. Maybe you've been photographing for years, but you're still frustrated by images that aren't as sharp as you'd like. Or maybe you've recently fallen in love with film photography and have absolutely no idea where to begin. That's exactly why we're introducing our new Clean Camera Hands-On Photography Workshops & Camera Classes. And we're doing them a little differently. You Don't Have to Take Classes You Don't Need We didn't want to create a traditional Photography 101, 102, 103 program where everyone has to follow the same path. Photography doesn't work that way. Some people already understand exposure but struggle with focus. Some photographers understand their camera perfectly but want to become better at finding beautiful light. Someone else may simply want Tim to help them understand all those buttons, menus and settings on the camera they received for Christmas three years ago. And then there are the people pulling Dad's old 35mm camera out of a closet and wondering, “Can I actually shoot with this?” So we're letting YOU choose your path at our Clean Camera Hands-on Photography Workshops. Choose one class. Choose two. Choose three. Or take all five. You decide what you want to learn. EVERY FIRST CLASS INCLUDES CAMERA CARE Here's what makes these classes very different from a typical photography workshop. Your first class is $199, regardless of which topic you choose. In addition to your hands-on class, you'll receive our Camera Care Package, which includes: Professional sensor cleaning Camera function/condition check Focus performance check Lens calibration/check for up to three compatible lenses Basic camera and lens care guidance Traditional lens calibration is not applicable to every camera/lens combination. For equipment where traditional calibration isn't appropriate, we'll perform the applicable focus/performance checks instead. So bring your camera. Bring your lenses. Bring your questions. We'll take care of the gear AND help you learn how to use it. CHOOSE FROM 5 DIFFERENT CLASSES CLASS OPTION 1: CAMERA 101 Know Your Gear “What does this button do?” There are no silly questions in Camera 101. This class is designed for anyone who owns a DSLR or mirrorless camera but doesn't feel completely comfortable operating it. We'll explore your camera's buttons, dials, menus and settings and help you understand what actually matters. Topics include: Camera buttons, dials and controls Understanding your camera's menus DSLR vs. mirrorless basics Camera shooting modes Autofocus settings Focus points Drive modes RAW vs. JPEG Memory cards Batteries Basic lens terminology Changing lenses properly Customizing commonly used controls Basic troubleshooting Camera and lens care The goal: Stop being intimidated by your camera and start feeling confident using it. CLASS OPTION 2: PHOTOGRAPHY 101 Get Out of Auto You don't need a more expensive camera to become a better photographer. You need to understand how to control the camera you already own. Photography 101 takes the mystery out of exposure and teaches you how photographers intentionally create an image instead of allowing the camera to make every decision. We'll cover: The exposure triangle Aperture Shutter speed ISO How aperture, shutter speed and ISO work together Depth of field Freezing motion Creating intentional motion Exposure compensation Metering Choosing ISO Aperture Priority Shutter Priority Manual exposure Hands-on shooting exercises We're not interested in having you memorize a bunch of photography vocabulary. We want you to understand WHY changing a setting changes your photograph. The goal: Get out of Auto and start making your own creative decisions. CLASS OPTION 3: FOCUS & LENSES 101 Get Sharper Photos You've invested in a good camera. You've bought good lenses. So why aren't all of your photographs sharp? This is one of the most common frustrations photographers have, and the answer isn't always the equipment. Sometimes it's focus. Sometimes it's shutter speed. Sometimes it's camera movement. Sometimes it's the wrong autofocus setting. Sometimes it's depth of field. And occasionally, there really is an equipment issue. We'll help you understand the difference. Topics include: Autofocus modes Focus points Eye and face detection Subject tracking Back-button focus Camera shake vs. missed focus Choosing an appropriate shutter speed How focal length affects your photograph Prime vs. zoom lenses Aperture and lens performance Understanding depth of field Choosing lenses for different situations Handholding techniques When to use a tripod Troubleshooting soft photographs The goal: Stop guessing why your photographs aren't sharp and learn how to consistently improve focus. CLASS OPTION 4: LIGHT & COMPOSITION 101 Learn to See the Photograph Once you understand your camera, something interesting happens. Photography becomes less about the camera. It becomes about seeing. Seeing the light. Seeing the background. Seeing the composition. Seeing the moment before you ever press the shutter. This class focuses on the artistic side of photography and helps you start thinking like a photographer. We'll explore: Hard light vs. soft light Direction of light Finding beautiful natural light Window light Open shade Backlighting Golden hour Working with difficult light Background selection Rule of thirds Leading lines Framing Perspective Creating depth Eliminating distractions Basic composition for photographing people Recognizing potential photographs in everyday locations The goal: Learn to create photographs that are more than technically correct — photographs that actually make someone stop and look. CLASS OPTION 5: FILM PHOTOGRAPHY 101 Back to the Beginning Film is back. And we couldn't be happier about it. Maybe you've inherited an old camera. Maybe you found one at an estate sale. Maybe you're a digital photographer who's curious about where all of this started. Or maybe you're part of a new generation discovering the magic of slowing down and creating a photograph without immediately looking at the back of a screen. Film Photography 101 introduces you to the analog photography experience. We'll cover: How a film camera works 35mm camera basics SLRs, rangefinders and point-and-shoot cameras Choosing a film camera Loading and unloading film Understanding ISO/ASA Choosing film Color negative film Black-and-white film Slide film Manual focusing Metering Exposing film Caring for vintage cameras and lenses Common problems with older equipment What happens during film development Understanding negatives Scanning and digitizing film What to look for when purchasing used film equipment You'll also have the opportunity to learn more about the mechanics behind these incredible cameras and why so many of them are still working decades after they were manufactured. The goal: Give you enough knowledge and confidence to load a roll of film and start shooting. HOW PRICING WORKS This is where we've made the program especially flexible. Your First Class — $199 Choose ANY ONE of the five topics. Your first class also includes your Camera Care Package with professional sensor cleaning and checks for up to three compatible lenses. Then decide if you want to keep learning. Add Your Second Class — $125 Pick whichever additional topic interests you most. Add Three or More Classes — Just $75 Each The more you want to learn, the more affordable each additional class becomes. YOUR CUSTOM PROGRAM PRICE Any 1 Class + Camera Care $199 Any 2 Classes $324 Any 3 Classes $399 Any 4 Classes $474 ALL 5 Classes $549 There are no required prerequisites and no required order. You build the program that fits YOU. WHO ARE THESE CLASSES FOR? Beginners are absolutely welcome. In fact, beginners are encouraged. But these classes aren't only for beginners. They're great for: Parents wanting better photographs of their children Grandparents wanting to finally understand their camera Hobby photographers Aspiring professional photographers High school and college photography students Content creators Small business owners Photographers struggling with focus Digital photographers interested in film Film photographers returning after many years away Anyone who bought an expensive camera and is still using Auto Anyone who simply loves photography You don't need the newest camera. You don't need the most expensive lens. And you definitely don't need to know all the photography terminology before you arrive. That's why we're teaching the classes. TWO DIFFERENT PERSPECTIVES. ONE CLASSROOM. One of the things we're most excited about is combining our different areas of experience. Tim brings the technical side of photography — cameras, lenses, equipment, troubleshooting, cleaning, repair and understanding how the equipment actually works. Melonie brings the photographer's perspective — decades of professional photography experience, professional credentials, teaching experience, lighting, composition, posing and creating photographs for real clients in real-world situations. That means we can talk about both sides of the equation: Is it the camera — or is it the photographer? Sometimes it's the camera. Sometimes it's a setting. Sometimes it's technique. And sometimes you just need someone sitting beside you saying: “Here. Change this setting. Now take the picture again.” That is exactly the kind of hands-on learning environment we want to create. BRING YOUR CAMERA. BRING YOUR QUESTIONS. We want these classes to feel approachable. This isn't about showing off expensive equipment or making beginners feel like they don't belong. Quite the opposite. Bring the camera that's been sitting in your closet. Bring the lens you aren't sure how to use. Bring Dad's old film camera. Bring the camera you just bought. Bring the photographs that keep coming out blurry. And definitely bring the questions you've been afraid were too basic to ask. We'll start where you are. CHOOSE YOUR CLASS. CHOOSE YOUR PATH. START CREATING. First Class + Camera Care: $199 Second Class: +$125 Third, Fourth & Fifth Classes: +$75 each Complete 5-Class Series: $549 Choose from: Camera 101 — Know Your Gear Photography 101 — Get Out of Auto Focus & Lenses 101 — Get Sharper Photos Light & Composition 101 — Learn to See the Photograph Film Photography 101 — Back to the Beginning You don't have to learn everything. You just have to start with what YOU want to learn. Clean Camera Bring Your Camera. Leave With a Cleaner Camera — and the Confidence to Actually Use It. For the email blast, I would not put this whole article in the email. I’d use a much shorter teaser built around “Pick Your Class”, show the five choices, highlight $199 including sensor cleaning + up to 3 lens checks, and have one big LEARN MORE / CHOOSE YOUR CLASS button leading to this blog page. That should make the email much easier to scan and click.

Mastering MagMod Flash Modifiers, 30-Minute Off Camera Flash Workshop Off Camera Flash Workshop Goal Learn how to shape, soften, control, and color light using MagMod flash modifiers for portraits, fashion, and event photography. Participants will understand: Soft vs hard light Light direction and spill control Modifier selection Color storytelling with gels How different modifiers affect mood and style Workshop Schedule Section Time Flash Fundamentals 5 min Bounce vs Dome 5 min Grids & Snoot 7 min MagBeam 5 min Gels & Color Theory 5 min Wrap-Up & Questions 3 min Part 1 — Flash Fundamentals (5 Minutes) Why Flash Sometimes Looks Harsh Flash can appear unnatural when the light source is too small, too direct, and uncontrolled. A bare speedlight produces a concentrated burst of light from a very tiny surface area, which creates harsh shadows, bright hotspots, and sharp transitions between light and dark. When the flash is pointed straight at the subject, the light hits evenly and flatly, removing depth and dimension from the face and often creating the “deer in headlights” look many photographers dislike. Without modifiers or directional control, the light also spills across the entire scene, illuminating backgrounds, walls, and objects that may not need light at all. This uncontrolled spill reduces mood, contrast, and subject separation, making images feel more artificial rather than intentional. Learning to shape, soften, and direct flash allows photographers to create light that feels more natural, dimensional, and emotionally engaging. Key Lighting Principle The modifier changes: softness contrast direction mood shadow quality Understanding Light Quality Soft Light Creates: smooth skin gradual shadow transitions flattering portraits Usually produced by: larger light sources bounced or diffused light Hard Light Creates: stronger contrast sharper shadows dramatic definition Usually produced by: small direct light sources focused modifiers Part 2 — MagBounce vs Dome Diffuser Off Camera Flash Workshop (5 Minutes) MagBounce What It Does The MagBounce increases the apparent size of the flash and pushes light forward in a softer, broader pattern. Lighting Characteristics soft wraparound light softer facial shadows more directional than a dome flattering skin tones Best Uses portraits weddings indoor fashion couples and groups Limitations uses more flash power less effective at long distances MagSphere / Dome Diffuser What It Does The dome diffuser spreads light in many directions, allowing nearby walls and ceilings to become large bounce surfaces. Lighting Characteristics natural room fill ambient look softer than bare flash less directional control Best Uses event photography candid moments documentary style shooting small indoor spaces Limitations less effective outdoors reduced control over spill Key Difference MagBounce Feels more like: a portable softbox Creates: softer portrait light better facial sculpting more controlled softness Dome Diffuser Feels more like: a bare bulb filling the room Creates: environmental light natural ambient feel broader room illumination Off Camera Flash Workshop Part 3 — Grids & Snoot (7 Minutes) The Grid What It Does A grid narrows the beam of light and prevents spill onto unwanted areas. Lighting Characteristics focused light controlled direction darker backgrounds increased drama Best Uses low-key portraits rim lighting hair lighting editorial photography Why Photographers Use Grids Grids help isolate the subject while keeping the environment darker and more controlled. The Snoot What It Does A snoot creates an even tighter beam of light than a grid. Lighting Characteristics very narrow spotlight intense contrast strong visual focus Best Uses spotlight effects dramatic portraits illuminating eyes or hair creative fashion work Grid vs Snoot Grid Snoot Controlled beam Very tight spotlight Moderate spill control Extreme spill control Versatile Highly dramatic Easier for general use Best for precision lighting Off Camera Flash Workshop - Grids & Snoots Part 4 — The MagBeam (5 Minutes) What Is the MagBeam? The MagBeam uses Fresnel lens technology to focus and intensify flash output. What It Creates longer flash reach narrow powerful light cinematic spotlight effects Best Uses outdoor portraits wildlife photography theatrical lighting creative editorial work MagBeam Advantages concentrates flash power works well at greater distances creates dramatic directional light compatible with gobos for pattern projection Part 5 — Gels & Color Theory (5 Minutes) What Are Gels? Gels are colored filters placed over flash to alter color temperature or create artistic effects. CTO Gels Color Temperature Orange Purpose Warms the flash to match indoor tungsten lighting. Creates warm skin tones golden cinematic mood natural indoor color balance CTB Gels Color Temperature Blue Purpose: Cools the flash color. Creates moonlight effects cool cinematic tones dramatic blue atmosphere Creative Color Gels Red, green, purple, magenta, and blue gels create expressive artistic lighting. Common Uses fashion photography editorial portraits music-inspired imagery colored backgrounds Color and Mood Color Mood Orange Warmth / nostalgia Blue Calm / cinematic Red Drama / intensity Purple Fashion / creativity Green Experimental / edgy Final Wrap-Up- Off Camera Flash Workshop Light Modifiers Soft Light Modifiers MagBounce Dome Diffuser Directional Control Modifiers Grid Snoot MagBeam Creative Modifiers Gels Mastering a One-Light Portrait Setup Using a Cheetah Softbox and Godox AD600 When photographers first begin learning off-camera flash, many assume they need multiple lights, complicated modifiers, and a full studio setup to create professional portraits. In reality, some of the most beautiful and timeless portraits are created with just one light. A single-light setup teaches one of the most important skills in photography: understanding how light shapes a subject. Using a Godox AD600 paired with a Cheetah softbox is a powerful yet simple combination that allows photographers to create soft, flattering, dimensional portraits almost anywhere. Whether you are shooting fashion, portraits, branding sessions, or creative editorial work, mastering one light gives you complete control over mood and emotion. Why One Light Is So Powerful One light forces you to focus on: direction shadow placement contrast facial sculpting light quality Instead of relying on multiple lights to “fix” an image, you learn how to intentionally shape light. This is where photographers truly begin to understand lighting. A properly placed single light can create: soft beauty lighting dramatic cinematic portraits editorial fashion looks natural window-light effects moody low-key images The difference comes down to placement, angle, and distance. The Gear For this setup, you only need a few essentials: Equipment List Godox AD600 Cheetah softbox Light stand Wireless trigger Camera Optional reflector The Godox AD600 provides enough power for both indoor and outdoor shooting, while the Cheetah softbox creates a large, soft light source that flatters skin and produces smooth shadow transitions. Understanding Soft Light The size of the light source determines how soft or hard the light appears. A larger modifier creates: softer shadows smoother skin gradual transitions more flattering portraits The Cheetah softbox enlarges the apparent size of the light source, helping the light wrap naturally around the face. But softness is also affected by distance. Important Rule The closer the softbox is to the subject, the softer the light becomes. Moving the light farther away makes the light appear smaller relative to the subject, which increases contrast and shadow hardness. The Basic One-Light Setup The easiest starting point is a classic 45-degree portrait setup. Placement Position the softbox: about 45 degrees to the side of the subject slightly above eye level angled downward toward the face This placement creates natural facial dimension while maintaining flattering light across the skin. What This Setup Creates This simple arrangement produces: beautiful catchlights gentle facial shadows depth and contour subject separation professional portrait lighting It is one of the most versatile lighting setups photographers can learn. Adjusting the Mood with Light Placement One of the biggest advantages of a one-light setup is how dramatically the mood changes by simply moving the light. 1. Classic Portrait Lighting Place the softbox: 45 degrees from the subject slightly above eye level This creates: natural dimension flattering shadows balanced contrast This is ideal for: portraits headshots branding photography family photography 2. Dramatic Lighting Move the light farther to the side of the subject. This increases: shadow depth contrast drama The farther to the side the light moves, the more sculpted and cinematic the portrait becomes. This style works beautifully for: fashion photography dramatic portraits editorial work moody imagery 3. Soft Beauty Lighting Bring the softbox: closer to the subject slightly more toward the front This creates: softer shadows brighter eyes smoother skin more even illumination This look is commonly used in: beauty photography glam portraits high-end fashion feminine portraiture The Importance of Shadow Control Good lighting is not about eliminating shadows. It is about controlling them. Shadows create: depth mood dimension emotion Without shadows, portraits often appear flat and lifeless. The goal is to create intentional shadows that sculpt the face and guide the viewer’s attention. One Light Teaches You Everything Many photographers rush to add more lights before fully understanding one. But mastering one light teaches: light direction feathering falloff contrast shaping subject separation Once you understand how one light behaves, every additional light becomes easier to use with purpose. Common Beginner Mistakes Light Too Far Away When the softbox is too far from the subject: shadows become harsher light becomes less flattering the modifier loses softness Light Too Low Lighting from below often creates unnatural shadows and unflattering facial structure. Keeping the light slightly above eye level usually creates the most natural result. Flat Front Lighting Placing the light directly in front of the subject removes depth and dimension. Even subtle side lighting creates more shape and interest. Final Thoughts A one-light setup proves that powerful photography does not require complicated equipment. With a Godox AD600 and a Cheetah softbox, photographers can create: soft portraits dramatic fashion images cinematic lighting editorial looks timeless professional work The real magic comes from understanding how to shape light intentionally. Great lighting is not about how many lights you own — it is about how well you understand one.

Expert camera repair, sensor cleaning & classes by CAMERA REPAIR, SENSOR CLEANING & CLASSES. Elevate your skills with our services. Repair Quotes Sensor Cleaning Lens Calibration Film Camera Repairs FACTORY TRAINED CAMERA REPAIR | CLASSES | STYLED CONTENT SHOOTS & MORE Located in Cass City, Michigan we are Your Gear's Best Friend! Sensor Cleaning, Lens Calibration & Repairs by Factory Trained Camera Technician . Same Day service by appointment only with 48 hour turn around time on shipped gear. MEET THE TECH Download Master your camera settings with factory trained camera technician, Tim McEver, formerly at Peachtree Camera Repair Download Tim is a factory trained camera repair technician for all major camera brands (Nikon, Canon, etc). He has over 25 years of working on all camera types including collectibles like Rolleiflex and Lecia and has even worked on lenses for NASA. Tim has proudly cleaned and calibrated over 10,000+ cameras/lenses in the last 10 years alone. Tim was part owner of Peachtree Camera Repair, a family business focusing on camera repair in Georgia. In January of 2025, PCR decided to close their doors after 35+ years in business, due to both his parents retirement and the unexpected passing of his brother in-law, Bobby. Bobby was the main technician for the Georgia location and with the family no longer able to service gear in GA, PCR closed it's doors and Tim & his wife, Melonie, launched Clean Camera. ----- Right out of high school, Tim spent 4 years with the Air Force 3rd Combat Communications Group, 32nd Combat Com Squadron where he also got training in electronics and diesel mechanics. Today, Tim and his wife, Melonie, a Master Photographer, travel coast to coast sharing their expertise at trade shows, photography conventions and Styled Content Shoots for both photographers and models, leveraging their combined knowledge and technical gear skills to help others crush it on camera. Want to learn in person? Join us at one of our local classes, destination photo tours or styled content sessions for a hands-on experience, or catch us on the road! We'll be at trade shows, photography conventions, and even local camera stores like Cardinal Camera, sharing tips, gear insights, doing sensor cleanings and answering your questions. Check our website for our upcoming schedule and locations! SERVICES Shelly P, AL “I have used Tim for my camera maintenance needs for over 20 years and I love that they are now closer to me on the beach." Andrea B, MI "Every time Melonie and Tim come to Michigan I make sure I have an appointment to get my camera cleaned and lens checked." Jami R, FL “I have run my camera to Tim many times at last minute for repairs and he always has it back quicker than I expected.” Lens Calibration Lens calibration is the process of ensuring that a camera lens properly aligns with the camera body to achieve sharp focus across various distances and settings. This involves fine-tuning the autofocus system, assessing the accuracy of focus marks, and correcting any discrepancies that can cause out-of-focus images. Here are key aspects of lens calibration: Auto Focus Adjustment: Many modern lenses feature autofocus, which may need adjustments over time to ensure that it consistently focuses accurately on the intended subject. Calibration helps to address any misalignments. Sharpness Across the Frame: Calibration can also involve checking how well the lens performs at different apertures and focal lengths, ensuring that sharpness is uniform across the entire image. Tools and Techniques: Calibration often utilizes specialized tools and software. Technicians may use calibration charts or testing setups to analyze the performance of the lens and make necessary adjustments. Overall, proper lens calibration is essential for photographers who require maximum precision and quality in their images. SCHEDULE NOW Camera Repair Services Welcome to our camera repair services, where we expertly restore your photography gear to peak performance. ESTIMATE

< Back SERIAL NUMBER: 2657027 46 MAKE: MINOLTA MODEL: X-700 REPORTED ISSUE: REDO | REPAIRED SHUTTER ESTIMATE: TECH NOTES: STATUS: TO BE PACKED BIN|DEPT: READY TO SHIP PARTS PRE-PAY: 0 BALANCE DUE: TRACKING #: Previous Next

CC Order Number Serial Number MAKE MODEL Estimate Issue Reported Status Invoiced Notes TECH NOTES Ship Date BIN DEPT 52 UV118324 HASSELBLAD 500CM BODY 180 | LENS 100 | BACK 80 | BACKSEDS 80 TO BE PACKED 440 BODY 180 | LENS 100 | BACK 80 | BACKSEDS 80 CLEAN FUNGUS 08/12/2026 READY TO SHIP 51 7783716 NIKON F2 CLA | SEALS TO BE PACKED 180 CLA | SEALS 08/12/2026 READY TO SHIP 50 7318741 NIKON EM CLA | SEALS | FUNGUS TO BE PACKED 100 CLA | SEALS | FUNGUS 08/12/2026 READY TO SHIP 49 6461490 NIKON EM CLA | FUNGUS TO BE PACKED 130 CLA | FUNGUS 08/12/2026 READY TO SHIP 48 5511427 CANON AE-1 150 NEEDS PARTS PARTS NEEDED NEEDS PARTS 08/12/2026 NEEDS PARTS 47 4505278 CANON AE-1 SEALS | CLA TO BE PACKED 100 SEALS | CLA 08/12/2026 READY TO SHIP 46 2657027 MINOLTA X-700 REDO | REPAIRED SHUTTER TO BE PACKED 0 REDO | REPAIRED SHUTTER 08/12/2026 READY TO SHIP 45 177392 CANON AUTO ZOOM 814 R CIRCUIT | R CORROSION DAMAGE TO BE PACKED 180 R CIRCUIT | R CORROSION DAMAGE USE RECHARGABLE OR LITHIUM AA BATTERIES ONLY 08/12/2026 READY TO SHIP 44 R-1305502 CANON A1 0 PARTS MISSING - REDO 07/16/26 BOX 2 0 PARTS MISSING - REDO BAG #14 REDO-PART 07/15/26 READY TO SHIP 07/15/26 43 5901855 CANON EOS A2 125 NEEDS MODE DIAL NEEDS DONOR NEEDS MODE DIAL NEEDS DONOR CAMERA TIM'S DESK 42 N79083023 ZENIT EM 100 REPAIR SHUTTER | CLA 07/16/26 BOX 1 100 REPAIR SHUTTER | CLA REPAIR SHUTTER CLA 07/01/26 READY TO SHIP 07/15/26 41 5155133 CANON AE1 0 BEYOND REPAIR 07/16/26 BOX 1 0 BEYOND REPAIR BEYOND REPAIR 07/01/26 READY TO SHIP 07/15/26 40 167547 YASHICA FR-1 150 LENS (R) APERATURE | BODY (R) SHUTTER 07/16/26 BOX 2 150 LENS (R) APERATURE | BODY (R) SHUTTER REPAIR LENS | SHUTTER | CLA | R REWIND 07/01/26 READY TO SHIP 07/15/26 39 0403704 CANON A2E 0 BEYOND REPAIR 07/16/26 BOX 1 0 BEYOND REPAIR BAD CIRCUIT 07/01/26 READY TO SHIP 07/15/26 38 1105049 OLYMPUS OM-4 0 BEYOND REPAIR 07/16/26 BOX 1 0 BEYOND REPAIR BEYOND REPAIR 07/01/26 READY TO SHIP 07/15/26 37 3995887 NIKON FE 100 SEALS | CLA 07/16/26 BOX 2 100 SEALS | CLA CLA | SEALS 07/01/26 READY TO SHIP 07/15/26 36 2315851 CANON AE-1 100 CLA 07/16/26 BOX 2 100 CLA CLA 07/01/26 READY TO SHIP 07/15/26 35 EV279448 RICOH RZS 0 BEYOND REPAIR 07/16/26 BOX 1 0 BEYOND REPAIR BAD MAIN PCB 07/01/26 READY TO SHIP 07/15/26 34 2657027 MINOLTA X-700 100 CLA 07/16/26 BOX 3 100 CLA CLA | REPAIR SHUTTER 07/01/26 READY TO SHIP 07/15/26 33 98301064 VIVITAR 220/SL 100 CLA 07/16/26 BOX 1 100 CLA CLA 07/01/26 READY TO SHIP 07/15/26 32 4205984 MINOLTA STR101B 0 LENS IS REPAIRED | BODY IS BEYOND REPAIR 07/16/26 BOX 3 0 LENS IS REPAIRED | BODY IS BEYOND REPAIR BODY BEYOND REPAIR 07/01/26 READY TO SHIP 07/15/26 31 2357406 MINOLTA SRT101 100 CLA 07/16/26 BOX 2 100 CLA CLA 07/01/26 READY TO SHIP 07/15/26 30 7506102 NIKON F2 190 SEALS/ CLA 05/28 APPROVED SEALS/ CLA BATTERY DOOR, SCREEN PARTS | CHINA 29 B56460 KALART SYNCHRONIZED RANGE FINDER $240 OUT OF CALIBRATION SHIPPED 0 OUT OF CALIBRATION BEYOND REPAIR | NEEDS NEW SHUTTER 05/21/26 READY TO SHIP 06/14 28 2262375 MINOLTA X-700 REDO SHUTTER NOT WORKING 07/16/26 BOX 3 0 SHUTTER NOT WORKING REPAIR SHUTTER 06/15/26 READY TO SHIP 07/15/26 27 3851374 CANON AE1 $150 BEYOND REAPIR SEALS | CLA 07/16/26 BOX 2 0 BEYOND REAPIR SEALS | CLA BEYOND REPAIR - PARTS ORDERED 06/17 AND STILL NEEDS MORE WORK 06/04/26 READY TO SHIP 07/15/26 26 591025 CANON AE1 $100 CLA | SEALS SHIPPED 100 CLA | SEALS NEEDS NEW SHUTTER (ORDER) 06/04/26 SHIPPED 25 1096052 CANON AE1 $120 SEALS | CLA 07/16/26 BOX 3 0 SEALS | CLA NEEDS VIEWFINDER SCREEN & FILM DOOR 06/04/26 READY TO SHIP 07/15/26 24 1776571 CANON AE1 $100 SEALS | CLA SHIPPED 100 SEALS | CLA REPAIR SHUTTER 06/04/26 SHIPPED 23 5103024 CANON AE1 $100 SHUTTER WIL NOT OPEN | FULL DIAGNOSTIC | FULL REPAIR SHIPPED 100 SHUTTER WIL NOT OPEN | FULL DIAGNOSTIC | FULL REPAIR REPAIR SHUTTER 06/04/26 SHIPPED 22 9085132 FUJICA GW690 $240 CLA, ONE BLADE IN LENS IS STUCK 07/16/26 BOX 3 0 CLA, ONE BLADE IN LENS IS STUCK NEEDS SHUTTER REPAIR | HAS DEFECTIVE PARTS ON IT NOW 06/04/26 READY TO SHIP 07/15/26 21 7101306 PENTAX K1000 $175 SEALS/CLA SHIPPED 175 SEALS/CLA BATTER DOOR | COUNTER COVER | REPAIR FOCUS 06/04/26 SHIPPED 20 3144284 NIKON FM $100 SEALS | CLA SHIPPED 100 SEALS | CLA 06/04/26 SHIPPED 19 4072259 NIKKORMAT FT $100 SEALS | CLA SHIPPED 100 SEALS | CLA 06/04/26 SHIPPED 18 040604472 ROLLEI ROLLEIMAT AF $100 SEALS | CLA SHIPPED 100 SEALS | CLA 06/04/26 SHIPPED 17 4115286 NIKKORMAT FT $100 SEALS | CLA SHIPPED 100 SEALS | CLA 06/04/26 SHIPPED 16 162051 CANON AE1 120 05/28 APPROVED 120 CLA | SEALS 06/04/26 SHIPPED 15 1206780 CANON EOS A2 125 05/28 APPROVED 125 REPLACE GRIP SHIPPED 14 1305502 CANON A1 120 05/28 APPROVED 120 BATTERY DOOR & MIRROR SHIPPED 13 7616210 PENTAX K1000 120 05/28 APPROVED 120 SEALS | SPEEDS | MOTOR SHIPPED 12 6261924 PENTAX K1000 120 05/28 APPROVED 120 BOTTOM COVER | SEALS SHIPPED 11 416782\160071 CANON AE1 120 05/28 APPROVED 120 REPLACE TOP COVER SHIPPED 10 577901 CANON A1 120 05/28 APPROVED 120 RELEASE & MIRROR SHIPPED 9 890406 CANON FTB 170 05/28 APPROVED 170 FUNGUS | REPAIR BODY | SEALS SHIPPED 8 2184362 NIKON F4 180 SHIPPED 0 LENS FUNGUS | BODY BEYOND REPAIR SHIPPED 7 6055268 FUJICA ST901 80* REDO 05/28 REDO 0 REDO CLA | FILM DOOR SHIPPED 6 2143164 CANON AE1 0 05/28 BR $20 VALUE -20 BEYOND REPAIR PURCHASED 5 8821597 CANON A1 0 05/28 BR $20 VALUE -20 BEYOND REPAIR PURCHASED 4 1598322 CANON AE1 0 05/28 BR $20 VALUE -20 BEYOND REPAIR PURCHASED 3 1324544 CANON AE1 0 05/28 BR $20 VALUE -20 BEYOND REPAIR PURCHASED 2 1019091 PENTAX 645 450 PARTS | CHINA REPLACE GRIP | SEALS | CORROSION DAMAGE PARTS | CHINA 1 8502534 | 1003017 CANON EOS A2 155 MODE DIAL SHIPPED 77.5 MODE DIAL NEW MODEL NUMBER DUE TO NEW BOTTOM COVER 05/21/26 SHIPPED 0 5155133 CANON AE-1 DONOR BODY PARTS INVENTORY 0 DONOR BODY THANK YOU 08/12/2026 PARTS BIN 2210905 nikon FE2 battery cap missing, advvance lever needs reattaching battery cap missing, advvance lever needs reattaching